By Diane Lawson
"Diane Lawson's awesome perception into the mysteries and witchcraft of psychoanalysis . . . mixed together with her remarkable writing abilities makes this a different novel that i discovered very unlikely to place down."—Abraham Verghese, writer of Cutting for Stone
Sigmund Freud could have loved Dr. Nora Goodman, a horny forty-something psychoanalyst along with her handful of neurotic sufferers who can't appear to permit themselves happiness, love, or good fortune. She's no longer precisely a gradual client herself, born to a ranting bipolar Talmudic student and a mom with a middle as chilly as a slaughterhouse at the Kansas prairie in January. yet now she has children and an overbearing psychiatrist husband. She hates him. She hates his insular social global. Nora desires a brand new existence sans husband, yet what she will get is anything extraordinarily diversified. It begins one Monday morning whilst her 8 o'clock sufferer blows himself to smithereens. the subsequent week, one other sufferer dies. The police see the 1st as an twist of fate, the second one a simple suicide. Nora thinks her perform is being particular by way of a killer. She hires deepest investigator Mike Ruiz, a tightly wound ex-cop who couldn't care much less for Sigmund. "Oh, Freud," Mike says. "Isn't he dead?" Freud is often staring at whereas the not going pair fight to an unforeseen end.
Diane Lawson used to be born and raised in los angeles Russell, Missouri (population 128). She did her undergraduate reports on the college of Missouri, her psychiatric residency at Michael Reese health facility in Chicago, and her psychoanalytic education on the Institute for Psychoanalysis, additionally in Chicago. She has childrens and lives and practices in San Antonio, Texas.
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Additional resources for A Tightly Raveled Mind
A metaphysician has nothing with which to build his world system except the perfected cries of monkeys and dogs. What he calls profound speculation and transcendental method is merely the stringing together, in an arbitrary order, of onomatopoeic cries of hunger, fear, and love from the primeval forests, to which have become attached, little by little, meanings that are believed to be abstract merely because they are loosely used. Have no fear that the succession of little cries, extinct or enfeebled, 61 that composes a book of philosophy will teach us so much about the universe that we can no longer go on living in it.
Common speech, as we know, is full of erotic metaphors which are applied to matters that have nothing to do with sex; and conversely, sexual symbolism by no means implies that the interests making use of it are by nature erotic. Sex, as one of the most important instincts, is the prime cause of numerous affects that exert an abiding influence on our speech. But affects cannot be identified with sexuality inasmuch as they may easily spring from conflict situations—for instance, many emotions spring from the instinct of self-preservation.
Drawing from Gressmann, Die orientalischen Religionen, fig. 41, p. 99. 43. Antique cameo Formerly in a museum of Florence. Drawing from Bachofen, Versuch über die Gräbersymbolik, Pl. II, fig. 1. 35 FOREWORD TO THE FOURTH (SWISS) EDITION 1 I have long been conscious of the fact that this book, which was written thirty-seven years ago, stood in urgent need of revision, but my professional obligations and my scientific work never left me sufficient leisure to settle down in comfort to this unpleasant and difficult task.